Gold-plated craft of classical furniture

Gold paste is the process of making large or large gold ornaments on one or all of the surface of the utensils. It has the highest level of gold paste, and is generally used for court court furniture, statues of gods and gods, and religious offerings. After the gold is applied, a transparent protective paint is often added to delay the time of being worn and weathered, and the gloss is calm and soft.

The materials used for gold paste are gold foil, gold powder and gold mud. The gold layer formed by the latter two is thicker and softer, but it is very expensive. There is a gold (gold foil), three gold powder (gold powder) and nine gold gold. In addition to the special needs of the exquisite, the proportion is rarely used, so we will focus on the method of attaching gold foil.

Before attaching gold, you should understand the variety of gold foil to meet the different requirements of customers. There are two kinds of real gold foils on the market. The gold foil color is red yellow, containing 98% gold, also known as ninety-eight gold foil; the red gold foil is yellowish yellow, containing 74% gold, and the rest should be silver, also known as seven or four gold foil. In addition, there is a real silver foil, which must be coated with a protective lacquer, otherwise the contact air will be easily vulcanized and blackened. The cheaper alternatives to gold and silver foil are copper foil and aluminum foil, and the area of ​​the leaflet is slightly larger.

The main tools for gold paste are small brush, oil brush, wool pen, bamboo gold clip and silk cotton.

The medium used for gold paste is gold paint, and commercially available gold oil can also be used. The traditional gold paint is usually formulated with a special paint (cover paint). The utensils should be placed in a closed room (shade room) to maintain a certain temperature and humidity so that the paint can dry slowly. Nowadays, synthetic lacquer is often used, and it is more economical and convenient to add cooked tung oil.

If the paint is too thick, it can be diluted with No. 200 gasoline or turpentine according to the actual situation. According to the color of the paint, it is necessary to add a proper amount of pigments such as cinnabar or sallow, black and so on to make the smear eye-catching, so as to avoid uneven paint or leakage coating, and also play a role in setting off the golden color.

The amount of silver and Zhu is heavy, and the gold paint should be stirred from time to time to avoid sinking the bottom and uneven color. Marked as No. 2 Yinzhu, R Yinzhu and Hongzhu, etc. are all substitutes and can also be used. Pigments and paints must be ground with a paint knife on a slate or glass plate to avoid particles affecting the finish when gold is applied.

When applying the gold paint, it should be evenly coated. It should be thin and not thick. The groove in the paint should avoid siltation, so as not to dry the paint and produce wrinkles. The large lacquered gold lacquer must be placed in the shadow chamber after coating. The indoor temperature is 22-28 °C and the humidity is ≥80%. When the golden lacquer is half-dried, the utensils can be taken out of gold. Judging criteria can be used on the back of the middle finger joints to touch the paint surface. The paint color is not dirty and is slightly sticky. It is best when it is slightly sticky, but the fee is not bright, but the paste is not strong.

When affixing, use a gold clip to hold the upper end of the gold foil lining paper, the other hand to open the surface layer, place the gold foil on the gold lacquer, and then put down a gold foil. Note that the gold foil should be slightly overlapped, otherwise it will leave a more obvious seam. The jargon is called “錾口”, and the gold foil has a defect to be sealed. After the gold foil code is good, gently flatten with a silk cotton swab, use a soft brush to compact the groove, and then sweep the excess broken gold foil with a wool pen. The next day, use a silk swab to gently rub the surface of the gold foil to increase the fastness and brightness.

At this point, the gold will be completed. If you need to cover the paint, you will have to wait until the gold floor is completely dry.

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