The essence of the traditional culture of the classical wardrobe in the Ming and Qing Dynasties
[ Chinese wardrobe network ] Chinese traditional culture is profound and profound, and the influence of Ming and Qing culture on modern design is more profound. Classical furniture in the Ming and Qing Dynasties is a bright pearl in China's long and splendid art culture. The value of classical furniture is not only the service value of serving people, but also the different artistic styles of different periods formed in a specific environment. The classical wardrobes of Ming and Qing Dynasties are exquisitely carved and the materials are excellent. It is not a current aesthetic point of view. A piece of storage tool is a manifestation of a person's taste, even if you do not buy such an expensive work, but you must understand it.
The characteristics of the Ming Dynasty wardrobe: "fine, clever, simple, elegant"
Fine, that is, the selection of materials is excellent, and the production is exquisite. The materials used in Ming style furniture are mostly precious wood with hard texture, fine texture and deep color such as red sandalwood, huanghuali and iron pear wood. In the process, the structure is made of enamel, which makes the furniture firm and firm. Due to the slow growth of these precious woods, they were heavily harvested during the Ming and Qing Dynasties. Therefore, after the Qing Dynasty, the furniture has undergone fundamental changes. Identification and identification of the Ming Dynasty furniture, the review of the materials is crucial.
Clever, that is, ingeniously crafted and ingeniously designed. The styling structure of Ming Dynasty furniture attaches great importance to the matching of the hall building. The overall configuration of the furniture itself is also orderly and orderly. It is displayed in the hall with the decorative effect of filling the environment and filling the space.
Jane, that is, the shape is concise and the lines are smooth. Although the style of Ming style furniture is varied and often changes, there is a basic point, which is concise. Several lines and combination styles give a quiet and beautiful, simple and stable, sparse and ethereal artistic effect.
Ya, that is, the style is fresh, elegant and dignified. Ya is a kind of culture, a realm of beauty. The literati of the Ming Dynasty admired the "elegance", the bureaucratic rich and the vassal "ya", the craftsmen also catered to the elegance of the literati, so they formed the "elegant" character of Ming furniture. Ya's embodiment in furniture is the simplicity of the styling, the simplicity of the decoration, the freshness and naturalness of the color, and the disadvantages of the artificial.
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