Visual Design - Breadth and Depth

The breadth of thinking means to be good at looking at issues comprehensively. Assuming that the problem is placed within a three-dimensional space, we can conduct a full range of research around the issue from multiple perspectives, multiple pathways, multiple levels, and interdisciplines, so some people call it "three-dimensional thinking." This is one of the very effective methods of visual arts thinking training. It allows people to learn to look at issues in a comprehensive and three-dimensional manner, observe various aspects of the problem, analyze various aspects of the problem, boldly conceive, think comprehensively, and sometimes break through routines. Go beyond time and space bold ideas, so as to seize the key and form a new creative ideas.

The breadth of visual art thinking is reflected in the breadth, material, creativity, shape, and composition of each aspect. From the broad macro-world to the mysterious micro-world, the cultural exchanges from the East to the West and the fusion of traditional ideas and modern consciousness are the contents that we need to involve in the creation of visual arts. In Modern Vision party art design, the breadth of thinking seems to be more important. Sometimes designing a work of art not only depends on the knowledge of the arts, but also has the support of many other disciplines. When designing environmental arts, designers must not only have artistic qualities, but also need knowledge in architecture, mathematics, ergonomics, humanities, history, and environmental protection.

The depth of thinking refers to the fact that when we consider problems, we must deepen into the interior of objective things, grasp the key and core of the problem, that is, the essential part of things to carry out from far to near, from the table to the inner, progressive, step by step Step deep thinking. We describe it as a "layer peeling bamboo shoots" method.

In the process of visual art thinking, the depth of thinking is directly related to the success or failure of artistic creation.

When we engage in artistic creation, we must be good at seeing the essence through phenomena, objectively and dialectically looking at the problem, and not being confused by the surface phenomena of things. This is also true of other forms of thinking, but it is even more prominent in visual arts thinking. Many successful art paradigms illustrate this point. Visual arts are mainly for the purpose of shaping the image to achieve aesthetic pleasure. In the process of shaping the image, we should not only list some superficial phenomena in reality, but should pay attention to the image of the spirit and artistic conception.

The ideological connotation and other aspects of expression must be considered as the main content of thinking in the party's artistic creation. Art works with a certain depth of art can make viewers have endless memories. Resonate and appreciate the artistic charm. In general, if a work of art has high ideological, deep artistic connotation and good artistic expression, then it shows that the author's thinking has a certain depth.

Author: Chen Dianguo